Once upon a time, instrumental
rock music ruled the airwaves. Back in the early 1960's,
songs like "Wipeout" and "Pipeline" were
as well known in America as the hits the Beatles cranked
out. Instrumental surf-rock is a uniquely American style
of music. Created entirely within the surf culture of
Southern California, surf-rock has become a genre that
represents all sorts of extreme sports and lifestyles.
Modern films such as Pulp Fiction have awakened new
audiences to the joy of surf music, and new surf bands have
been cropping up all over the world.
Get
Wet, who are based in Colorado, are a surf-rock band built
around the genius of guitarist Les Fradkin. Fradkin is a
guitarist of the first order, and it's our good fortune that
he decided to direct his talent to melodic instrumental music
instead of the six-string masturbation that is common to
modern area axe shredders. Make no mistake - Fradkin
could show Joe Satriani or Eric Johnson a thing or two.
But instead of dazzling us with how many notes he can play per
second, Fradkin layers his songs with melodies that will have
you humming hours after the CD has been turned off.
The album sets a fast and
furious tempo with the title track, "A Day At the
Beach." Hyper percussion and layered guitars combine to
create the audio equivalent of a caffeine-charged large
espresso. Pounding drums open "Kick Sand," but
Fradkin smartly dials the volume back for the main melodic
theme. The tempo is slowed a bit in "Pintor,"
which showcases some very stylish spaghetti-western style
picking. "Key West Sunset" is a romantic
sounding tune, perfect for an evening with a beautiful beach
babe or dude. Sharp melodies and haunting dynamics make
"Nature Calls" one of the album's highlights.
You might wonder why Get Wet
decided to cover the classic Beach Boys tune, "Good
Vibrations," but after hearing this version, you'll never
care for the original. The Beach Boys were never a true
surf band - they were more of a manufactured clean-cut version
of the Beatles. Fradkin takes this tune and completely
transforms it into an instrumental masterpiece.
Get ready for some real fun -
after "Good Vibrations" fades from the speakers, a
collaboration between Get Wet and their friends The Dirt
Surfers ("The Dirt Surfers Get Wet (Wet Mix)")
blasts forth like a nuclear explosion. If you can remain
seated while listening to this tune, check your pulse.
Do not miss this song - the gorgeous middle part alone is
worth the price of this CD.
Other standout tracks include a
solid cover of "Beck's Bolero," and "Hurricane
Warning," which could have easily been the theme song for
any recent television police drama. Just for fun, the
album also includes a very memorable version of Bach's holiday
classic, "Joy of Man's Desiring."
Instrumental rock doesn't get
the attention it deserves these days. The recording
industry, which once made stars of bands like the Ventures and
artists like Dick Dale, hasn't got a clue about how to market
this invigorating music. They don't understand that the
melodies and driving rhythms may be enjoyed by anyone desiring
high-energy rock and roll without angst-filled vocals and
nasty lyrics. Whether you're cleaning your house,
gardening, or heading out to hit the big waves, "A Day At
the Beach" will get you moving. You can forget that large
espresso, because this album will reach out, slap you across
the face, and shout, "Wake Up!"
Download
free tracks from "A Day At The Beach"
Purchase
the CD on-line
Surf
Music 101 - an introduction to surf rock