The Pixies were one of the most important, ground-breaking acts of the late 80's and early 90's.  Their work was beautiful, melodic, angular, harsh, exotic, angry, and packed with energy. Without the early groundbreaking work of the Pixies, there might never have been the grunge revolution of the early '90's. A pop tune like "Here Comes Your Man" would sit next to a throat-killer like "Debaser."  The guitars were acoustic and electric, mixing folk with surf.  All good things must pass, and the Pixies split and went their separate ways.

Band leader, singer, and guitarist Frank Black has released a prolific series of albums.  Demonstrating an unusual output (even for him), Black recorded enough songs for two complete albums.  He could have released the work as a double-album, but he must have felt the songs were different enough to warrant two complete separate releases, called Black Letter Days and Devil's Workshop.

Of the two albums, Devil's Workshop sounds the most like a Pixies album.  The driving acoustic guitars in "Velvety" would be right at home on the 1990 release, Bossanova.  This is not to say that the album sounds retro - the albums eleven tracks are thoroughly modern guitar rock (but don't expect nu-metal!).  "Out of State" features a melody that will send chills up your spine.  Black's voice is clear, and the minor-chord guitars create an envelope of cathartic sadness.  "His Kingly Cave" is an amazing ear treat, with it's tremolo guitars, Black's speak-singing style, and a chorus that leaves a permanent imprint upon your brain.  Devil's Workshop is a poppy affair - there aren't any post-Pixie moments of rage and noise here.  Frank Black has grown up a lot in the last 10 years, and the songs reflect this maturity.

Which is even more true for Black Letter Days.  First listens to this album indicated a darker, more somber tone.  But subsequent spins reveal a complex, engaging beauty.  Opening with the rowdy fun of "The Black Rider #1," Black Letter Days segues into an aural masterpiece, "California Bound."  Steel guitars frolic over a driving acoustic rhythm as the chorus reaches out, grabs you by the ears, and buries itself forever in your head.  It's surprising how much this record sounds like one of the best albums ever recorded - The Dream Syndicate's Days of Wine and Roses.  The style is often sparse, but the emotional impact and overall simplicity is refreshing.  A gorgeous piano opens "Chip Away Boy," then Black pulls you into a fantastic sing-along verse/chorus.  Driving minor chords introduce the title track, a song which will forever be a favorite, with it's pounding rhythm, insane melody, and intelligent lyrics ("Don't cry, don't start, don't fret your poor heart... you know it's just another long black letter day.").

It's interesting to note that both albums were recorded live to two-track tape.  Frank Black and his band, The Catholics, rehearsed the crap out of these songs and then recorded them in just a few days.  Repeated listening reveals a clear, uncluttered sound that is reminiscent of the best rock of the late 70's.  Both Black Letter Days and Devil's Workshop will grace the top slots in my collection for years to come.

If a lack of funds forces you to choose between these two albums, go sell your blood and purchase both anyway.  You won't regret your decision.

Purchase Black Letter Days and Devil's Workshop  NOW

Download Black Letter Days NOW

Download Devil's Workshop NOW

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